《无互动》

2020年12月，AR交互媒体艺术，鞠然创作

导师：莫奔，阿尔瓦罗·卡西内利，克里斯蒂安·桑德罗

No Interaction

Dec. 2020, AR Interactive Media Art, by JU Ran  

Supervisor: Maurice Benayoun, Alvaro Cassinelli, Christian Sandro 

创作说明：

《无互动》是一件关于冲突和破坏的互动艺术作品。

从《无互动》中可以看出，真实环境的“枯山水”总是体现出孤独的美。同时，也有一种对立和对比的感觉 — 即肉眼看到的真实环境是平静而美丽的孤独，但在AR设备下却变成了黑暗而压抑的孤独，所以虽然看起来很好，但都是一种错觉。

《无互动》用神经质的动作表达了人们的内心感受。比如说

1. 坐着的男人--麻木和被动

2. 与其他人保持距离的女人--逃避和沉重

3. 溺水求救的手--绝望和窒息

4. 漂浮的婴儿--自闭症和虚无感

而与此同时，AR的物理环境必须建立和调试，AR所增强的真实世界应与虚拟形象相匹配。增强现实的现实环境和虚拟环境就像阴阳两面，比如白天和黑夜，男人和女人，积极和消极。总的来说，它们形成了一种对立和互补的关系。通过在艺术和设计的想象空间中的合作，它们可以表达出表象和本质，现实和幻觉，伪装和真实。

Artist's statement：

No Interaction is an interactive artwork about conflict and destruction.

The real landscape of a dry land always reflects the beauty of loneliness, as seen in No Interaction. At the same time, there is also a sense of opposition and contrast - that is, the naked eye can see the real environment is calm and beautiful loneliness, but with AR equipment it becomes dark and depressed loneliness, so while it looks good, it is all a illusion.

No Interaction expresses people's inner feelings with neurotic movements. For example:

1. The sitting man - numb and passive

2. The woman who keeps her distance from the other people – escape and heavy

3. Drowning hand for help - despair and suffocation

4. Floating baby – autism and nihility

While at the same time, the physical environment of AR must be set up and debugged, and the real world illustrated by AR should match with the virtual image. Aspects of augmented reality are like Yin and Yang. My understanding of AR is like day and night, man and woman, positive and negative. In total, they form an oppositional and complementary relationship. Through their cooperation in the imagination space of art and design, they can express appearance and essence, reality and illusion, camouflage and truth.

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